Still, that total outlay is going to be considerably list than you'd spend on most comparable units. The build does feel a little plasticky and cheap, and it's worth noting that the price as advertised is not strictly accurate, as you'll need to pay extra for the not-included batteries or DC power supply.
Colour temperature is fixed at 5600K daylight, though the unit does come with a couple of filters to soften the light if that's your thing. It's a tidy, powerful little light that can easily be mounted on a camera's hotshoe or a tripod, giving you a decent burst of brightness that works perfectly as a fill light or for a quick-and-dirty video light.
So let's talk about what the Neewer 176 LED Panel does give you, which is, as it turns out, rather a lot for the money.
#HYDE DIMMABLE LED PANEL LIGHT 24X24 PROFESSIONAL#
They're less portable, but can deliver incredible lighting power.Īt a price like this, you aren't going to get professional studio quality. At the other end of the scale, there are full-size panels, designed for professional studio use. There are plenty of smartphone LED lights out there which are specifically designed for just such a setup, and many can put out more lighting power than you'd expect. Say you, like many people, are using a smartphone like one of the best iPhones to produce dynamic, interesting photo and video content. If you're using a DSLR or mirrorless camera, they're a great choice, and are often quite affordable.īut say you've got an even simpler setup. Like a flashgun, they can also be mounted to a stand if you prefer. Hotshoe LED panels are the most straightforward as the name implies, they can literally mount into a camera's hotshoe, and provide you with a point-and-shoot light source. LED panels come in a few different varieties, all of which we've covered in this guide. Obviously essential in video, this can also be useful in stills photography. The big difference between LED panels and flashguns is that LED panels emit light continuously, not just at the moment of capture, meaning you can see what your shot is going to look like before you capture it.
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